Blues Walk

Description :
Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad ... [Tout afficher]

Description:
Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !

"...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52

"…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008

Lou Donaldson's undisputed masterpiece, Blues Walk, marks the point where the altoist began to decisively modify his heavy Charlie Parker influence and add a smoky, bluesy flavor of his own. The material is still firmly in the bebop style, and the mellower moments aren't as sleepy as some of Donaldson's subsequent work, so the album sounds vital and distinctive even as it slows down and loosens things up. What elevates Blues Walk to classic status is its inviting warmth. Donaldson's sweetly singing horn is melodic throughout the six selections, making even his most advanced ideas sound utterly good-natured and accessible. The easy-swinging title cut is arguably Donaldson's signature tune even above his late-'60s soul-jazz hits, and his other two originals, "Play Ray" and "Callin' All Cats", are in largely the same vein.

Recorded in 1958.
[Masquer]