In 'N Out

Description :
Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Great Reid Miles Covers (Part 2) Themed Installment Presented on 180 gram Vinyl LP. In honor of Blue Note Records' 80th Anniversary, the legendary jazz ... [Tout afficher]

Description:
Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Great Reid Miles Covers (Part 2) Themed Installment Presented on 180 gram Vinyl LP.

In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in October 2019 with Part 2 of the Great Reid Miles Covers theme Jutta Hipp –Jutta Hipp with Zoot Sims (1956), Herbie Hancock – Inventions & Dimensions (1964) and Joe Henderson – In ‘n Out (1964) - and will continue with three albums released each month for the coming year.

From the moment that Kenny Dorham picked a 25 year old Joe Henderson out of obscurity in 1962 and had him join his band, it was obvious that Henderson was a very powerful force, a young giant who sent shock waves through the jazz world. Henderson, who had a very distinctive sound from the start along with the ability to play both "inside" and "outside", sounded very much at home whether playing bebop or free improvisations. He also proved to be a perfect musical brother for Dorham. Henderson's In ‘N Out album finds the two horns expressing similar ideas, blending together perfectly, and creating memorable music that is beyond description. Every note that Dorham and Henderson play on this classic LP is passionate, intense and meaningful. While most young musicians would be in awe if teamed with Dorham, McCoy Tyner, Richard Davis and Elvin Jones, Henderson not only had no difficulty playing with those masters, but he raised the intensity level and forced them to keep up with him. The brilliant album cover design by Reid Miles is a quintessential example of the bold typography that made his style so influential.

This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.

[Masquer]