Description :
Musicians :
Donald Byrd (trumpet, flugelhorn, vocals), Tyree Glenn, Jr. (tenor saxophone), Chuck Rainey (bass), George Bohanon (trombone), Raymond Brown (trumpet), Fonce Mizell (clavinet, trumpet), King Errisson (congas), Skip ... [Tout afficher]
Description:
Musicians :
Donald Byrd (trumpet, flugelhorn, vocals), Tyree Glenn, Jr. (tenor saxophone), Chuck Rainey (bass), George Bohanon (trombone), Raymond Brown (trumpet), Fonce Mizell (clavinet, trumpet), King Errisson (congas), Skip Scarborough (electric piano Fender Rhodes), Craig McMullen, John Rowin (guitar), Larry Mizell (acoustic piano), Mayuto Correa (congas, percussion), Harvey Mason (drums).
Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !
Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.
Donald Byrd's 1975 fusion classic Places and Spaces was the culmination of the legendary trumpeter's vibrant latter Blue Note years. Byrd had begun recording for Blue Note in 1958, and over two decades evolved from a top-notch hard bop trumpeter into a pioneer of R&B/funk fusion, leading the label's own creative direction along a similar path. Byrd had begun to introduce elements of fusion to his music with his 1969 album Fancy Free and shadowed Miles Davis early-1970s moves with experimental sessions like Electric Byrd and Ethiopian Knights.
It wasn't until Byrd hooked up with visionary producer Larry Mizell for his 1972 album Black Byrd that a new sound coalesced: funky and sultry, sophisticated yet accessible, with intricate arrangements that allowed Byrd's trumpet to soar over top. A string of commercial successes followed, reaching a creative peak with Places and Spaces, the fifth Byrd-Mizell collaboration which was co-produced by Larry and his brother Fonce Mizell. The album featured some of the most enduring hits this legendary creative team conjured up including "Wind Parade," "Dominoes," and "Places and Spaces," all of which were sampled heavily by hip hop artists in the decades that followed. [Masquer]
