Description:
Previously Unreleased Blues / Jazz-Tinged Collection Recorded at San Francisco's Defunct Toast Studio in 2001; Newly Mixed by Original Co-Producer John Hanlon.
For the past two decades, Toast has been whispered about in collectors' circles in hushed tones, as Neil Young has dropped pieces of information about it here and there, especially as it contains three never-before-released songs. In 2021, in his online daily newspaper, The Times Contrarian, Young wrote about the album in-depth. "The music of Toast is about a relationship", he said. "There is a time in many relationships that go bad, a time long before the breakup, where it dawns on one of the people, maybe both, that it's over. This was that time".
In 2001, Crazy Horse was in San Francisco, south of Market street, at an old studio called Toast. Coltrane had recorded there, among many other jazz greats, known and unknown. The Dot Com boom was happening and buildings were being bought and turned into lofts or torn down completely and rebuilt. New money was everywhere. Toast was a target. The place was a little run down and sort of on its last legs. If you asked Crazy Horse about these sessions, you would learn that it was a depressing atmosphere and things were not going well. The band recorded there for months and came up with very little. Nothing, other than one song, "Goin' Home" was ever finished. But a lot was started. Several of the songs written at Toast showed up on the Are You Passionate album with Booker T. and the MGs. But that album met with mixed reaction.
Now, years later, John Hanlon, the original co-producer with Neil, mixed all of the Toast material. Many songs share a bluesy, jazz-tinged vibe as a common thread. Three solid rockers are interspersed in the mix. Other songs are long with extensive explorations between verses, a Crazy Horse trademark, kind of like a down-played Tonight's the Night, except these songs deal directly with love and loss, not drugs. The ambient atmosphere, foggy, blue and desolate, pervades many of the tracks, if not all, with Tommy Brea's muted trumpet and dusky male and female counter-part BGs occasionally surfacing from Poncho and Ralph on one side, Nancy Hall and Pegi Young on the other. A cool and sleepy lounge piano rises in the fog occasionally.
The result of this is perhaps one of the most under-estimated and deceptive Crazy Horse records of all time, with many songs originally discarded, and then re-recorded with Booker T. and the MGs. The original performances now surface again through a foggy past. Like an abstract painting, lyrical images of a love lost and maybe even destroyed forever just refuse to die, creating a landscape littered with half-broken dreams and promises. Toast is finally here, a dark Crazy Horse classic for the ages!
Aptly, Toast is heavy and distressed, brimming with electrifying tension. Even its sweet-sounding opening track, "Quit", features the refrain, "Don't say you love me". "Standing In The Light of Love" and "Goin' Home" let the Horse off the tether in fields of overdriven guitar; an out-of-work logger grapples with his faith on the breakneck "Timberline", and on "Gateway of Love", Young dreams of a less painful future over a hypnotizing 10 minutes, leading into the somber, brokedown "How Ya Doin' ?" The songwriter sums up the album best during its shadowy finale "Boom Boom Boom" : "All I got is a broken heart, and I don't try to hide it when I play my guitar".
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