Musicians :
Cassandra Wilson (acoustic guitar, vocals), Gary Breit (Hammond organ), Chris Whitley (guitar), Gib Wharton (pedal steel guitar), Kevin Breit (acoustic & electric guitar, banjo, bouzouki), Brandon Ross (acoustic & electric guitar), Charles Burnham (violin), Tony Cedras (accordion), Graham Haynes, Lawrence "Butch" Morris (cornet), Jeff Haynes (percussion, bongos), Mark Peterson, Lonnie Plaxico (bass), Peepers (background vocals), Cyro Baptista (percussion, Jew's-Harp, shaker), Dougie Bowne (percussion, drums, whistle, vibraphone).

This is no easy listen... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously "distant" musical backings to weave real magic.

Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. "Last Train To Clarksville" is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. "Harvest Moon" slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' "I'm So Lonesome I Could Cry" & U2's "Love Is Blindness" are transformed into 3 in the morning jazz club classics. The vocals and backing to Robert Johnson's "32-20" are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's "Strange Fruit" becomes as desolate and challenging as it's horrific lyrics.