- Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !

- Monthly releases highlighting the world's most historic and best jazz records !

- Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !

- 180 gram LPs pressed at Quality Record Pressings !

- Stoughton Printing gatefold old-style tip-on jackets !

- Series supervised by Chad Kassem CEO of Acoustic Sounds !

John Lee Hooker's style of guitar playing has been imitated but never matched. The iconic bluesman's 1966 album It Serve You Right to Suffer for Impulse! was unusual because it teamed him with a jazz ensemble rather than a typical blues band. This setup was part of Impulse!'s broader effort to explore and expand the boundaries between jazz, blues, and other genres.

The collaboration was partly driven by the growing interest in the blues among jazz audiences in the 1960s. Hooker's raw, emotional music resonated with the improvisational spirit of jazz. Impulse! wanted to showcase his talents in a new light by pairing him with a sophisticated jazz rhythm section guitarist Barry Galbraith, bassist Milt Hinton, and drummer Panama Francis. These musicians had deep jazz credentials but were flexible enough to adapt to Hooker's deeply personal and rhythmically unique style.

The producer was Bob Thiele, head of the foundational jazz label Impulse! Records. The idea was to keep the tracklist down to just eight songs and let each one inhabit a mood, unencumbered by commercial demands for a single.

The album combined Hooker's earthy, hypnotic blues sound with the polished backing of the jazz combo. Hooker's deep, gravelly voice and his raw, syncopated guitar riffs stood at the forefront, while the jazz players added a smoother, more textured groove underneath. The result was a unique fusion: it retained the grit and authenticity of Hooker's Delta blues roots but added a subtle, swinging sophistication.

It Serve You Right to Suffer stands out in Hooker's discography because it formed a bridge between blues and jazz. It introduced Hooker's music to a broader audience and showcased his adaptability as an artist. For blues fans, it highlighted the universality of Hooker's sound; for jazz fans, it was a chance to experience blues in a more refined context.

Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.